This might be the most important job on a movie submarine. Have One Guy Listening to Sonars With Headphones While Delivering Important Exposition And for what it’s worth, Hunter was right, and not only did everyone in the submarine movie not die, a global catastrophe was prevented. It beats instigating another World War and getting a ton of people killed, all because you didn’t vibe well with your coworker. Even if you don’t see eye-to-eye with someone, you shouldn’t resort to measuring the size of your torpedoes just talk it out, man. The conflict splits the sub into competing allegiances.Ĭommunication is important in any workplace, but it’s particularly crucial when your workplace is several thousand leagues under the sea and has the ability to threaten the fragile peace between the world’s biggest powers. Washington’s Ron Hunter wants to be absolutely certain that they’re supposed to be firing the missiles before pulling the trigger what if the second transmission was, per military parlance, a “Whoops, JK, guys!” type of response? Hackman’s Frank Ramsey, on the other hand, wants to follow the first order and blow shit up. The main problem is that they received two orders via radio, but the second transmission was cut off. The crux of the film is the tension onboard the USS Alabama, as the two top officers (Gene Hackman and Denzel Washington) have to decide whether to launch their missiles against a Russian nuclear spot. So it’s super important, in a submarine movie, to communicate with sub-coworkers and ensure you don’t incidentally start World War III if you aren’t, like, totally sure that’s necessary.Ĭrimson Tide is the kind of movie that should be screened at sub seminars (which are not meetings about sandwiches use context clues). Submarines carry enormous power-literally, in that most have torpedoes aboard, which can be fired, potentially instigating war with another country. It’s scary, I know, but if you ever find yourself in a submarine with a bunch of sailors sporting impressive beards and questionable hygiene, the movies suggest doing these five things in order to survive the journey. al.) serve as a helpful guide for how to survive in a submarine movie. ![]() ![]() Have I made you sufficiently wary of the dangers of underwater living? Are you now afraid that you, too, may die in a claustrophobia-inducing submersible? Don’t worry: Hunter Killer and many other submarine movies before it ( The Hunt for Red October, Das Boot, Crimson Tide, et. Surviving a slasher film is comparatively way easier-don’t check on suspicious noises have sex, or do anything that might be an affront to a killer’s oddly puritanical values. Only a slab of submarine metal (submetal?) separates sailors from the icy depths of the ocean floor, and there are many ways for things to go wrong: basic, structural malfunctions enemy submarines, and even interpersonal conflicts that erupt within the sub itself. But the film does understand that surviving in a submarine movie is an intensely difficult matter. It’s a boilerplate action-thriller you’ve seen many times that will definitely be airing on TNT in a couple of years. Rather, Hunter Killer just leaves you with some parting images of its submarine-because the movie knows that submarines are awesome. ![]() There isn’t anything new to infer from these shots it’s not some kind of mid-credits sequence implying the inception of a Submarine Cinematic Universe. The end credits for the new Gerard Butler–starring submarine thriller Hunter Killer-and don’t worry, this doesn’t constitute a spoiler, if you were worried about Hunter Killer spoilers-splits the screen between the production credits and shots of the film’s primary submarine.
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